Showing posts with label dresden dolls. Show all posts
Showing posts with label dresden dolls. Show all posts

Wednesday, January 20, 2010

Vinyl Vednesday 1/20


[Vinyl Vednesday is a weekly feature about three favorite vinyl finds. It’s not meant to be a dick-measuring contest, but it kinda is. Since Picasso Blue just discussed the top 30 shows of the decade this week, VV will be looking at three treasured vinyl purchases from those concerts. E-mail pelonej1@gmail.com with your own big finds!]


Records: Dresden Dolls’ “Good Day” seven-inch reissue (2005) on black, Paint It Black’s New Lexicon (2008) on white, and Secret Machine’s Now Here is Nowhere (2004) on white.


Place of Purchase: The Dolls seven-inch was actually purchased at a show at the TLA that didn’t make the top 30, but since B-side “Night at the Roses” was such a pivotal part of my #16 concert pick – and since I got to ask pianist/vocalist Amanda Palmer about it after they opened for Nine Inch Nails (#14) – I feel like this seven-inch spreads across every Dolls show I’ve attended. Paint It Black’s New Lexicon was purchased at PiB’s show with Strike Anywhere at the First Unitarian Church (#22). Secret Machine’s full-length debut came from their North Star Bar appearance (#30).


Thoughts: I heard “Night at the Roses” at the first Dresden Dolls show I ever attended. It wasn’t like anything in the Dolls catalog, which turned out to be deeper than their self-titled studio debut let on. They mentioned re-releasing it at the time, and I knew I had to have it, although a live bootleg of the song from a fan site helped ease the wait. I got a chance to meet the band after they opened for Nine Inch Nails and asked Amanda Palmer about it; she said it would be coming out soon. Fast-forward a year or so, and I finally got my chance to own a physical copy of “Night at the Roses.” This was also the time is saw the Dolls twice in one day – once for a Y-Rock Sonic Session taping, and again for a full set later that night.


New Lexicon is the best Paint It Black release (so far). Yeah, I’m big on the two seven-inches they dropped last year, but the synthesis of punk and hip-hop, thanks to PiB’s collaboration with producer Dälek of Oktopus fame (and J. Robbins! I loves that guy!), is something that few folks have been able to achieve (I’m looking at you, Dee Dee Ramone). The band’s live shows live up to the records, too, as evidenced by their set with Strike Anywhere at the First Unitarian Church. PiB absolutely decimated the crowd. What really knocked me out, though, was having to interact with frontman Dr. Dan Yemin at the merch table. See, I’m not good when it comes to talking to my idols. Last time I spoke with someone in Paint It Black, it went so poorly THAT HE QUIT THE BAND. Oh, but how I wanted to own New Lexicon on vinyl (and The Philadelphia Sound compilation, featuring early PiB and Loved Ones frontman Dave Hause’s old band The Curse). So, I went in there, called Dr. Yemin’s band “zesty,” bought my stuff, and got the eff out of there before I acted a fool. Of course, I still ended up looking like a jackass when I ran into him at Repo Records like a week later and got my credit card declined. Even when I win, I still lose.


Oh hey, have you read Dr. Yemin’s blog, Songs to Learn & Sing?


I dig The Secret Machines. They make my kinda psych-rock. Even better, they’re cool dudes. They sold their own merch during their North Star show and, tempering my courage to the point of adamantium, I purchased a vinyl pressing of their first record, talked about how their second, Ten Silver Drops, was totally underrated (It is), and then got them to autograph my vinyl. I even asked new guitarist Phil Karnats to put pen to cover, even though he didn’t enter the band’s recordings until their self-titled third album. The show was pretty good, my friends and I got to talk to the band even more after the show, and the vinyl plays splendidly. I mean, it doesn’t compare to hearing “Nowhere Again” or “First Wave Intact” live, but it’s pretty close. Speaking of which, my favorite part about the album is probably the fact that, at 45 rpm, Reprise Records could only fit “First Wave Intact” on the first side of the vinyl. It just makes the song that much more monolithic.

Monday, October 26, 2009

Playlist: The Dresden Dolls


[Playlist is an attempt to distill my favorite artists to 80-minute compilations. If someone asked me to burn them a mix of the bands featured here, I would give them this collection. This week, Picasso Blue will be running Halloween-centric playlists, starting today with The Dresden Dolls.]

Despite having only two studio albums to their credit, the self-described "punk rock cabaret" duo Dresden Dolls (pianist/lead singer Amanda Palmer and drummer/guitarist/back-up vocalist Brian Viglione) has generated tons of odds 'n' ends in their years together. Though the group is currently on hiatus (and pursuing bands that basically fulfill the exact same sonic style. Just sayin'), I'm hoping they reunite soon. As much as I love their self-titled record, I love them live even more. I've seen the band in concert five times, and each set was different, with the group pulling out rarities, covers, performance pieces, and the occasional crowd interaction trick each time. To that end, I've tossed in a couple of covers and live takes, in addition to choice cuts from The Dresden Dolls and Yes, Virginia....

In truth, this playlist was both a joy and a pain to make. See, the Dolls have a host of non-album tracks I tried to cram in. Their output has also been a little spotty, as Yes, Virginia... and its outtakes companion No, Virginia... have plenty of glaring weak spots. Palmer's lyrics occupy a hyperspecific, personal level, and her word choices sometimes go too crass for my taste. But when she's on, like on the epic tracks "Half Jack" and "Delilah," Palmer is an electrifying force.

There's still plenty of stuff I wanted to include, as I had to cut some picks from the live album A is for Accident after I realized I had accidentally left off "Delilah." And the band's cover of PJ Harvey's "Rid of Me" is so kickass that I added and subtracted it from this list several times. Finally, the band's biggest hit, "Coin-Operated Boy," got cut because, honestly, I'm sick of that song. But here's what I was able to fit in: 16 songs, some original and some not, that comprise the Dolls' patented blend gothic emotion, rock 'n' roll abandon, and Rocky Horror Picture Show theatrics.

[EDIT: So, I was listening to my Dresden Dolls discography over the weekend and realized I left off two crucial cuts. So, I'm removing the U2 cover in favor of "Bad Habit" and "Sorry Bunch."]

How Fast This Plane Can Go
1. "Good Day," The Dresden Dolls
2. "Girl Anarchonism," The Dresden Dolls [Same two-hit combo as the original album. You just don't fuck with certain things.]
3. "Dirty Business," Yes, Virginia...
4. "Half Jack," The Dresden Dolls
5. "A Night at the Roses," "Good Day" seven-inch [One of my favorite Dolls tunes. It's a shame it was relegated as a download-only bonus track for the rarities comp.]
6. "The Jeep Song," The Dresden Dolls
7. "Shores of California," Yes, Virginia...
8. "Pretty in Pink," High School Reunion - A Tribute to Those Great 80's Films! [Psychedlic Furs comp. Also available on No, Virginia...]
9. "Backstabber," Yes, Virginia...
10. "Modern Moonlight," Yes, Virginia...
11. "Dear Jenny," No, Virginia...
12. "Bad Habbit," The Dresden Dolls
13. "Sorry Bunch," No, Virginia...
14. "Delilah," Yes, Virginia...
15. "Ballad of a Teenage Queen," All Aboard: A Tribute To Johnny Cash [Johnny Cash cover with Franz Nicolay]
16. "Truce," The Dresden Dolls
17. "Such Great Heights," live bootleg [I spent about a year listening to this song every night before going to bed. It was also the sountrack to my first kiss with my girlfriend. So, thanks, Amanda.]